• Cynthia writing

    Hello!

    Welcome to the Dusty Clay Diaries. My name is Cynthia Siegel, and I’m currently writing this blog from Kolkata, West Bengal, India. So what’s the fuss about? In the fall of 2011, I participated in an artist’s residency at Sanskriti Kendra in Delhi, India. Through the Sanskriti Foundation’s Museum of Terracotta, I was introduced to […]

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  • Kumartuli – the first visit

    On the morning of my second day in India, I had the great fortune to make my first trip to Kumartuli, which is a neighborhood of image-makers that is located slightly north of the center of Kolkata. Leading the way was the delightful Partha Dey, a Kolkata native and visual artist who was a Fulbright Scholar at the University of Iowa a few years ago.

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  • Kumartuli – the second and third visits

    With great excitement, I returned to Kolkata at the end of the first week of September, specifically to observe Dilipda and his assistants in the next stages of work on their Durga Puja sculptures at the Shovabazar Rajbari. In the above photo, Dilipda’s assistant,  Netal Pal, is adding the second layer of smooth clay to this roughed-out […]

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  • Vishwakarma, the Divine Architect

    It’s September 17th as well as my fourth visit to the Shovabazar — now Durga Puja is less than two weeks away!  Dilipda’s sculpture has fully dried, been painted with a white undercoat, and now the application of color on the figures, as well as additional painted imagery, has begun. Heading out to other workshops of Kumartuli, […]

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  • Beauty and Chaos

    “Beauty and Chaos”  – one way to describe that which is Durga Puja! We heard this phrase first from photographer Dev Nayak,  when Stan and I met him while undergoing some serious “pandal-hopping” with Partha Dey in South Kolkata.  Dev’s actually comment was, “Beauty and chaos, in India you can’t have one without the other!” It’s Monday evening, […]

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  • Immersions – Tradition and the Environment

    Traditionally, Durga Puja ends with the immersion of the pandal images into a stream or river.  Once again, good has triumphed over evil, and Ma Durga and her children return to Mount Kailash and Durga’s consort, Lord Shiva. Thousands and thousands of images are submerged each year!   There are serious environmental concerns in Kolkata regarding the dumping of so much debris (not […]

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  • Kali Ma

    I prefer Kali to Durga.  Why?  Since I’m not exactly sure, I thought I’d use the writing of this post to help figure it out. In Kolkata, Kali certainly has less fanfare than the almighty Durga, but from my vantage point, Kali’s devotees appear to have as much or maybe even more fervor for their […]

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  • A Dentist to Lions

    Dilipda is preparing no less than five images for Jagadhatri  Puja, which is celebrated throughout West Bengal and parts of Odissa about one week after Kali Puja (late October to early November) and exactly one month after Durga Puja. Jagadhatri is considered to be a calm incarnation of Durga.  She is known as the “Holder of […]

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  • Krishnagar clay

    From practically the first moment since I stepped off the plane in Kolkata in late August, people have been telling me to visit the town of Krishnagar. Last week I had the opportunity to visit there with a group of artist friends. Krishnagar is famous for the production of highly realistic sculpture, from larger than […]

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  • Elements

    In December I was very busy with a project called Elements. Elements was an experimental art installation for children in Kolkata, the first of its kind in India, and for the kids it was a thrilling sensory experience. Created by Ruchira Das of ThinkArts, this multimedia project melded puppetry, motion-activated laser and sound, and clay.  When […]

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  • Residency at Maihol House

    How wonderful! In January I was invited to be part of an international group of ceramic artists who would  be working together at Maihol House, an artists’ residency center in Maihar, Madhya Pradesh.  Countries represented are India, Australia, Latvia, France, and the USA. Maihol House is also the family home of Ambica Beri, who owns […]

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  • Mishty Magic

    Please forgive me the transgression of diverting us from all things clay sculptural, and indulge me in a bit o’discourse regarding one of my favorite parts of Bengali culture – Mishty. Mishty is the Bengali word for sweet and is also the word for a dizzying variety of sweet foods that are made with nuts and/or […]

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  • A Project With Ektara

    My work on the Elements project really whetted my appetite for more exploration in creating temporary, collaborative sculpture in which the viewer’s participation becomes an integral part of the work.  I began developing ideas for new projects while observing preparations at Kumartuli for Saraswati Puja.  Then after returning from my trip to Molela and Nathdwara, I searched Kolkata for […]

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